Jean Bundy’s: Inside the Critics’ Circle, by Phillipa K. Chong investigates writing structures for critics, back-dropped against many tabloids ceasing to exist, while the ever expanding internet has provided amateurs and professional writers with a voice. Zehra Hamdani Mirza’s: Images on Water (2021 Honorable Mention--AICA Incentive Prize for Young Art Critics) poeticizes Meher Afroz’s art, that visually responds to war and atrocities in South Asia. Marc Michael Moser’s: Rococo, Today in Wrocław exposes raw realities of this 18th century genre, questions Rococo’s intermingling with contemporary works, and expresses the opulence of the era, while revealing curatorial missteps. Oğulcan Yiğit Özdemir’s: THE IMMIGRANT AND THE MELANCHOLIC speaks about migration and belonging through the pensiveness of Picasso’s Blue Period, with his roots in Velasquez’s Spain, then on to the bohemian Parisian scene, which he is identified with. Danièle Perrier’s: documenta fifteen—Art and Socio-Political Concerns, explores artists and collectives, who were eclipsed, under the artistic direction of the Indonesian collective, Ruangrupa and their brouhaha. Vashnavi Singh’s: Understanding International and Regional Biennials, investigates the politics of the Kochi-Muziris Biennale through the lens of the Venice Biennale, from its fascist-influenced beginnings, to its post-war global expansion, reflecting international differences and flavorings.